About
ONEONESIX Trust, formed at the end of 2017, holds the lease for the building. ONEONESIX receives operational funding from DIA (Lotteries) and Foundation North to pay for staff to run the building, develop audience, run education programmes with local schools, mentor young theatre practitioners, incubate new community focused projects, provide a space for people to meet and talk, host a community radio station and develop original, contemporary NZ theatre.
The trust receives amazing support from a number of local businesses who supply financial and services in kind to assist ONEONESIX. The trust also receives support from the Whangārei District Council, the owners of 116 Bank Street, by way of an annual peppercorn rental.
ONEONESIX encourages the ‘positive friction’ of Whangārei, actively shaping our space and programme to ensure its accessibility to people of different backgrounds, ages, identities, ethnicities and abilities. We are responsive and accountable to our community.
Useful Documents
Operations Team
Ko Whatitiri te maunga
Ko Mangakahia te awa
Ko Ngātokimatawhaoroa te waka
Ko Ngāpuhi te iwi
Ko Te Uriroroi te hapu
Ko Maungarongo te marae
Ko Kaitlin Ngawini Scott tōku ingoa
I grew up in Whangārei and went to WGHS. I graduated with a Bachelor of Arts from the University of Auckland in 2017 (majoring in philosophy and development studies). In 2018 I volunteered for a year as a marketing and events assistant in Timor-Leste with Volunteer Services Abroad (VSA). This volunteer assignment furthered my understanding and belief in the power of community, culture and relationships. I love that ONEONESIX gives space for our community to come together and celebrate one another. I am grateful to be a part of it.
Laurel Devenie is a director, actor, teacher and theatre-maker and graduate of Toi Whakaari: The New Zealand Drama School and the John Bolton Theatre School. She has worked consistently throughout the country in many different theatrical arenas. She has been heavily involved in professional and community theatre projects in the Auckland, Wellington, Hamilton, Wanaka and Northland regions. She currently plays Kate Nathan on Shortland Street.
She is the Director and founder of Company of Giants (Odyssey, Giant Teeth, The Owl and the Pussycat, Rangitahua, Milk and Honey) and directs both text based work and large scale devised pieces. She is co-instigator of ONEONESIX and is heavily committed to developing an audience in this region, and contributing to the growth of a professional performing arts framework in Whangārei, as well as continuing to create original exciting work for people of all ages. She believes that growth in the performing arts sector in our region comes from supporting touring work, creating a space for the development of new work and building opportunities for local performers, young people and community members to learn how to make work that is relevant to them. She grew up in Whangārei and attended WGHS.
He uri ahau nō Aerana, nō Ingarangi, nō Tenemāka, nō Nōwei, nō Te Pāpaka-a-Māui
I whānaunau ahau ki Waitākere
Kua noho ahau ki Te Tai Tokerau mai rānō i pēpi ahau
Kei te Whangārei ahau e noho ana
Ko tēnei taku mihi ki ngā tangata o te rōhe nei, me ngā tangata o te whenua
Ko pukenga oro me turama ahau e mahi ana
Ko kaiwhakatangitangi ahau
Ko Scott Wynne ahau
I have lived in Te Tai Tokerau since I was a toddler. I’ve spent the last 4 years in the events industry as an audio and lighting technician, contracting to local production company Belltech as well as Forum North as a venue technician and operator. I’m part of local band Otium as lead guitarist and plays drums for American (now Whangārei based) vocalist Maggie Cocco as well as a few other local acts.
Gillian’s family was always involved with theatre and so she spent much of her early life acting and enjoying the company of other people who acted, until, at a moment of epiphany while performing on the stage, she realised that her role in the theatre should not be as practitioner but as enlightened audience. A lifetime embracing this role ever since has led her naturally to taking on the task of organising the volunteers for ONEONESIX, opening the door for our helpers to see the wonderful range of performances that come our way as a reward for helping out with front of house or behind the bar.
When not in the theatre, she spent her working life teaching linguistics and English for speakers of other languages, here, around New Zealand (Christchurch, Palmerston North) and in China, but was drawn back to the north in semi-retirement, as this feels like her turangawaewae. Nowadays, she continues to work part-time, on contract and voluntarily, supporting migrants with their English. And is otherwise to be found in the garden, looking after her mokopuna, or at ONEONESIX.
Derek trained at East 15 Acting School in the mid 70’s. On completion of his training he worked as an
actor and performer for various organisations including a 6 month season as a comedy acrobat.
In 1981 he joined Theatre Venture, a newly formed community theatre company in the East End of
London as their Stage Manager. From there he went on to work as Stage Manager for various
companies before joining Chester Gateway Theatre as Production Manager in 1985. He then worked
as Production Manager for Bolton Octagon, Royal Lyceum Theatre Company – Edinburgh and from
1993 – 2003 as Production Manager for the Bristol Old Vic. While in Bristol he worked on various
National tours and West End transfers, major community projects, Theatre in Education Projects and
on plans for a major refurbishment of the historic Theatre Royal (the Old Vic Companies home) and
associated buildings.
Since arriving here, he has worked with various companies and organisations including Toi Whakaari
New Zealand Drama School, The Conch as Producer and Production Manager, Auckland Festival –
Producer/Production Manager of Penumbra and Vula, Awkward Productions – various shows and
Circus Festivals, Java Dance, Wellington International Arts Festival and Capital E. While with capital
E he was Producer of the Capital E National Arts Festival 2009, 2011 and 2013 as well as being the
Project Manager for their move from Civic Square to the current Queens Wharf site.
Since arriving in Northland, he has worked with The Old Library, Northland Youth Theatre,
ONEONESIX and for 3 years as General Manager of Red Leap Theatre. In 2020 he became the Technical Manager for Whangarei’s inaugural Fringe Festival , a role he continues in to-date.
ONEONESIX Trustees
Ko Te Reinga Te Maunga
Ko Waihou te awa
Ko Ngatokimatawharua te waka
Ko Hokianga te moana
Ko Waihounui a rua te marae
Ko Waimirirangi te whare hui
Ko Pare Puna o te ora te whare kai
Ko Te rarawa te iwi
Ko Ngati Te Reinga te hapu
Ko Jess Collin ahau.
Jess started her performing arts journey as a teen with Te Arangamai O Nga Tai Tamariki, at Waihou Bay on the mighty East Coast. She then studied Performing Arts with Northtec in both Rawene and Whangarei gaining a degree in Performing Arts Theatre. Jess has worked as a Drama and Health teacher for 15 years with a small stint as Manager at Northland Youth Theatre in 2016 and 17 where she produced a number of projects including Mall Dreams and Te Waiora. Jess has wide-ranging experience working with youth and the arts community in Te Tai Tokerau. She is currently working at He Matariki Teen Parent school and studying, counselling and hypnotherapy.
Laurel Devenie is a director, actor, teacher and theatre-maker and graduate of Toi Whakaari: The New Zealand Drama School and the John Bolton Theatre School. She has worked consistently throughout the country in many different theatrical arenas. She has been heavily involved in professional and community theatre projects in the Auckland, Wellington, Hamilton, Wanaka and Northland regions. She currently plays Kate Nathan on Shortland Street.
She is the Director and founder of Company of Giants (Odyssey, Giant Teeth, The Owl and the Pussycat, Rangitahua, Milk and Honey) and directs both text based work and large scale devised pieces. She is co-instigator of ONEONESIX and is heavily committed to developing an audience in this region, and contributing to the growth of a professional performing arts framework in Whangārei, as well as continuing to create original exciting work for people of all ages. She believes that growth in the performing arts sector in our region comes from supporting touring work, creating a space for the development of new work and building opportunities for local performers, young people and community members to learn how to make work that is relevant to them. She grew up in Whangārei and attended WGHS.
Ko An Dinas te maunga.
Ko Vellanoweth te awa.
Ko Ranatiki te moana.
Ko Ingarangi te motu.
Ko Kernow te rohe.
Ko Te Hāhi Tūhauwiri o Marazion te marae.
Kei Whāngārei tōku kainga ināinei
Ko Penny Fitt tōku ingoa.
I grew up in Cornwall and worked in the UK as a performance designer from 1991 – 2003 working in theatre, dance and opera, including productions for the Bristol Old Vic Theatre Company, Dukes Theatre Lancaster, Octagon Theatre Bolton, Almeida Theatre London and the English National Opera Bayliss Project. In 2003 I moved to Wellington to set up the Design Department at Toi Whakaari: New Zealand Drama School. I worked there until February 2017, first as Head of Performance Design and later as Associate Director and Director of Production and Design.
My own design practice here in Aotearoa has been focused on collaborative and devised making processes which incorporate visual exploration from the outset. My first major project here was a collaboration with Jade Eriksen, Christian Penny and David Geary: Penumbra was a devised New Zealand story spanning five decades, first performed in Wellington in 2005. Later, a second version was presented at the 2007 Auckland Arts Festival.
In 2009 I worked with Teina Moetara and Heather Timms to create a live performance, devised with young Māori and Somali performers. This production at the Cable Street Warehouse was the culmination of The Southern Corridor Project- a two year engagement with immigrant and Māori communities of Wellington’s southern suburbs. Between 2018-20 I was part of the creative team working on Owls Do Cry with Malia Johnstone, Julie Nolan and Heather Timms for Red Leap Theatre. Over the last 3 years I have been working with Puti Lancaster, Jade Eriksen and Jo Randerson. The work with each of these directors is similar in that it involves an ongoing inquiry into performance forms which are designed to build community and voice.
Alongside my artistic practice I have gained experience working with and leading staff, developing programmes of learning and carrying organisational responsibilities. During My time in Wellington I served on the board of Taki Rua Theatre for two years.
Thomas Gowing is a Whangarei-based designer and developer. He graduated with a Bachelor of Design Innovation in 2014 with a major in media design. Thomas is a member of the Company of Giants theatre collective and regularly uses ONEONESIX to create theatre and media projects.
Ko Parihaka te maunga
Ko Hatea te awa
Nō Whangārei ahua
Ko Keene tōku whānau
Ko Matt tōku ingoa
Matt was born in Whangārei and went to school at Kamo Primary, Kamo Intermediate and then WBHS. He holds a bachelor of management studies from Waikato University and is a partner in a local software development business. He believes in the need for public spaces that are accessible, welcoming and allow for the incubation of ideas and projects that have a social and community focus. As well as liking music, books, art, thearte and community radio, Matt, oddly, has an interest in NFP governance. He currently sits on a number of NFP boards focusing on education and the environment and he previously chaired The Quarry Arts Centre trust and Kamo School.
I am a local creative, and have lived in Whangarei my whole life. I was introduced to the local creative scene by the awesome locals who inhabit Whangarei. I work for our family business running youth mentoring programs, life skills workshops, and motivational training programs for our young people. In my life, ONEONESIX has always been a local watering hole for creatives, and has held a space for all to enjoy. I’m glad to be a part of it and look forward to the future of ONEONESIX.
Jason Taylor (Ngāti Maniapoto/Waikato-Tainui) is a screen producer based in Te Tai Tokerau,
Aotearoa New Zealand. Jason is an ambitious storyteller with a strong advocacy for sharing
cultural narratives that resonate with diverse audiences.
Jason was the recipient of a New Zealand Film Commission ‘He Ara Business and Slate Development’ grant. The grant empowered his production company, Tai Huri Films, to embark on an exciting journey of developing a diverse slate of screen projects, ranging from animation to premium scripted series, feature films, and new factual formats. Notably, Jason made his series producing debut with the well-received release of “The Barber Shop,” a captivating six-part documentary series for RNZ’s youth platform, TAHI.
His debut short film, The Turning Tide, garnered acclaim at the Wairoa Māori Film Festival, securing the coveted “Best Music in a Short Drama” award. The film’s excellence was showcased at several prestigious festivals, including the Māoriland Film Festival, NZ International Film Festival, Hawaii International Film Festival, and imagineNative Film + Media Arts Festival in Toronto.
Jason is embracing a valuable learning journey under the expert guidance and mentorship of two prolific producers in the screen industry, Rhonda Kite ONZM and Lloyd Meiklejohn, as he continues to forge his path in the realm of film and television. Dedicated to empowering rangatahi in telling their stories, Jason is excited to be on the ONEONESIX board where he will seek to extend his support to the vibrant Whangārei arts community.